
In Fragments to Wholeness, glass-making is presented as a metaphor for transformation, highlighting how something as fragile as glass can be molded into new forms.
Under the guidance of renowned glass artist Sarinda Jones and trauma therapists Holly Willard (LCSW-RPT-S) and Sarah Bargar (LCSW), 12 adolescent survivors of sexual abuse learned the skills and science of the glass artist during a six week expressive art therapy group. The group discussed themes such as loss, resilience, and the potential for transformation as they worked with glass, creating five individual projects and one group project.
Recent research has demonstrated the effectiveness of integrating expressive arts therapies with traditional trauma treatments, offering alternative channels for expression that transcend verbal communication. Glass-making, in particular, offers a unique opportunity for teens to experience hands-on creativity, which can foster self-reflection, emotional regulation, and the rebuilding of trust in oneself and others.
This class was designed and administered by Grandview for Good, a nonprofit based in Bountiful that is focused on transforming lives through accessible therapy. The class was funded through a grant from No More Victims, a nonprofit organization focused on providing mental health services for children who have been sexually abused, so they can go on to live happy, fulfilled lives.
Fragments to Wholeness was made possible through the visionary collaboration of therapist Holly Willard, LCSW, RPT-S, who designed the expressive arts curriculum and brought her deep expertise in trauma and play therapy to guide the healing process; therapist Sarah Bargar, LCSW, whose trauma-informed approach and commitment to mindfulness created a compassionate space for empowerment and growth; and glass artist Sarinda Jones, whose mastery of kiln-formed glass and belief in the transformative power of art helped shape the creative journey from fragility to resilience. Together, these women crafted a program that honors the strength of young survivors and the profound potential of art in the healing process.
All of the young artists are students and live in the Davis County community. Their identities are kept confidential.
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